![]() This would be impossible with the other video editors. ![]() It’s designed to enable teams of editors using multiple workstations to create two-hour movies containing dozens of scenes and hundreds of clips. Video clip handling is very database-like with multiple views, searching, sorting, tagging and so on. Videos are imported and organised into bins and racks, and rooms are created with editing layouts. You don’t get project templates, scrolling titles and other fancy effects, and instead it focuses on providing precision tools and clip handling. There are free and Pro editions, but the main difference is the output formats, with the free version limited to 720p resolution. Lightworks has been used to create Hollywood movies, including The Wolf of Wall Street with Leonardo DiCaprio. The fact that you get a package like this for free is….well, ridiculous. If Blender was on sale for a couple of hundred pounds it wouldn’t look out of place. You will of course have a fair few questions because there is simply so much you can do with this software. Various advanced features can also be accessed with a little effort, including 2D and 3D motion tracking, compositing of animated objects and real footage, plus even some nice camera correction tools that can deal with lens calibration and image stabilisation.Īs Blender is an open source project the documentation can be a little random at times, but the healthy user forums mean that you can usually find the answer to your question without much difficulty. So why is it included in this round up? Well, aside from the fact that you can create animated features or shorts on Blender, it also has a fully fledged video editor built-in.Ĭlips can be placed on a timeline, edited for length, overlapped with others, and joined with a range of transitions or fades, just like on any other package. It was even found on the set of Spiderman 2, when animators put together special effect storyboards for the director Sam Raimi using the software. In fact it’s so capable that it’s been used to create animations for the History Channel, TV adverts in a number of countries, special effects on series ten of Red Dwarf, and demonstration videos for NASA. Genius.Īt the time of writing these include various 3D effects for titles or rendering actual 3D models, colouring packs to give your creations distinct styles, compositing tools for special effects, JJ Abram-style lens flares, and a whole host of others.īlender is a hugely powerful open source software suite primarily used for the creation of 3D modeling and animation. These mean you can upgrade the software over time, adding only features that you actually need. Perhaps the most alluring part of the Express experience is the wide wealth of expansion packs that you can buy for between around £10/$10 up to £50/$50. While HitFilm Express is a standard video editor, there is definitely a lean towards special effects, and the package includes 2D and 3D compositing capabilities, automatic motion-tracking, plus green screen removal tools. The interface is clean and makes sense without too much explanation, but if you do find yourself getting lost then the raft of tutorial videos on the HitFilm site will get you going once more. HitFilm Pro, albeit without the £265/$299 price tag. HitFilm Express is the free version currently on offer, and includes a surprising amount of the features you’ll find in its big brother ![]() HitFilm has been around since 2011 and in that time the software has gone from strength to strength. But it’s worth investing the time as you really can create that masterpiece when you’ve learned how to harness all that power. There’s a bit of a learning curve if you’re a total newbie as this is not something you can pick up in an afternoon and end up with a masterpiece. If you’re already familiar with Adobe Premiere or Final Cut Pro, you’ll adapt quickly to Resolve. Ok, so it can’t do HDR grading, multi-user collaboration, and doesn’t feature the new Neural Engine which enables auto-colour correction and facial recognition among other things, but other than that, this is the same stuff the big boys use and, for the most most part, home users won’t need any of those missing features. Yet, the free version has hardly any features missing compared to its illustrious brethren. The full studio version costs around £300/$300 and is widely used for colour correction in Hollywood movies, with recent credits including A Star is Born, Avengers: Infinity War, Solo, and Bohemian Rhapsody. It’s hard to believe that BlackMagic has made DaVinci Resolve 16 completely free.
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